Bibliography of References

  • Carol Chillington Rutter: ‘Learning Thisby’s Part – or – What’s Hecuba to Him?’ (Shakespeare Bulletin, Volume 22 Number 3, 2004)
  • Kevin Quarmby: The Disguised Ruler in Shakespeare and his Contemporaries (Ashgate, 2012)
  • Carol Chillington Rutter: ‘Playing with Boys on Middleton’s Stage-and Ours’ in The Oxford Handbook of Thomas Middleton, Oxford Handbooks of Literature , 2012, edited by Gary Taylor and Trish Thomas Henley
  • Laurie Maguire and Emma Smith: ‘Time’s comic sparks’: the Dramaturgy of A Mad World My Masters and Timon of Athens  in The Oxford Handbook of Thomas Middleton, Oxford Handbooks of Literature , 2012, edited by Gary Taylor and Trish Thomas Henley
  • Akiko Kusunoki: ‘Women’ in Shakespeare’s Plays: Boy Actors and Elizabethan Popular Culture (Tokyo: Misuzu, 2012)
  • Pascale Aebischer: Screening Early Modern Drama: Beyond Shakespeare (CUP, 2012)
  • Michelle O’Callaghan: Thomas Middleton, Renaissance Dramatist (Edinburgh University Press, 2009, Revised 2012)
  • Clare Smout: ‘Profile of Edward’s Boys’ (Cahiers Elisabethains, 2011)
  • Clare Smout: Review of Antonio’s Revenge (Cahiers Elisabethains, 2011)
  • Elisabeth Dutton: Review of Westward Ho! (Cahiers Elisabethains, 2012)
  • Peter J. Smith: Review of Henry V (Cahiers Elisabethains, 2013)

Peter J. Smith: Review of Henry V (Cahiers Elisabethains, 2013)

  • Peter J. Smith: Review of Dido Queen of Carthage (Cahiers Elisabethains, 2014)
  • Peter J. Smith/Andy Kesson: Review of Galatea (Cahiers Elisabethains, 2014)
  • Lisa Hopkins: Review of The Lady’s Trial (Cahiers Elisabethains, 2015)
  • Janice Valls-Russell/Florence March: Review of The Woman Hater (Cahiers Elisabethains, 2016)
  • Michelle O’Callaghan: Review of A Trick to Catch the Old One (Cahiers Elisabethains, 2017)
  • Lucy Munro: Review of Summer’s Last Will and Testament (Cahiers Elisabethains, 2018)
  • Janice Valls-Russell: Review of The Woman in the Moon (Cahiers Elisabethains, 2018)
  • Maxim Nogueras: Review of The Malcontent (Cahiers Elisabethains, 2019)
  • Harry R. McCarthy: Review of The Woman Hater (Shakespeare Bulletin Vol. 34 No.4 Winter 2016)
  • Harry R. McCarthy: Review of Summer’s Last Will and Testament (Shakespeare Bulletin Vol. 36 No.2 Summer 2018)
  • Jose A. Perez Diez: Review (Early Theatre Vol. 20. No.1 (2017))
  • Lucy Muro: Beaumont400 (Early Theatre Vol. 20. No.2 (2017))
  • Eoin Price: The Future Francis Beaumont (Early Theatre Vol. 20. No.2 (2017))
  • Helen Ostovich: Introduction (Early Theatre Vol. 23. No.1 (2020))
  • Voices and Books in the English Renaissance: A New History of Reading by Jennifer Richards (OUP 2019)
  • ‘A Manifesto for Performance Research’, by Elisabeth Dutton in The Methuen Drama Handbook to Theatre History and Historiography, eds. Claire Cochrane and Joanna Robinson (London: Bloomsbury, 2019)
  • ‘Staging John Redford’s Wit and Science in 2019’ by Elisabeth Dutton and Perry Mills in Medieval English Theatre Volume 41 (2019)
  • Ecritures du désastre. Les catastrophes naturelles dans l’Angleterre de la première modernité, ed. Sophie Chiari. (Presses Universitaires Blaise Pascal, 2019)

These books, soon to be published, all make reference to the work of Edward’s Boys

  • Dido Queen of Carthage, Christopher Marlowe, ed. Ruth Lunney, Revels Plays Series (Manchester University Press 2021)
  • Shakespeare Survey 74 – Shakespeare and Education, ed. Emma Smith (Cambridge University Press, 2021)
  • Reimagining Shakespeare Education: Teaching and Learning through Collaboration eds. Liam Semler, Linzy Brady, Claire Hansen, Jackie Manuel. (CUP, forthcoming 2021)

 

  • Who Was Rosalind? (BBC Radio 4 documentary, February 2013)
  • Abducted (BBC TV documentary, August 2018)